Archive for the ‘eMusic’ Category
1월 28th, 2006
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Bach Buy New: $13.99 |
No other performance or recording of the Unaccompanied Sonatas and Partitas for violin has pleased me more than this recording by Szeryng. The playing is effortless, the lines are intact, and every idea is presented in a compelling and developed way. This is Bach that has been eaten for breakfast, lunch, and dinner for years. This recording stands well against more recent ones; even the recording quality is comparable. While other artists have fine recordings of one or several of the movements, this recording by Szeryng distinguishes itself by presenting the entire body of works with uniform sensitivity and understanding.Szeryng is currently, for reasons I do not comprehend, less well known than many other violinists – but he was demonstrably superior to almost all of them. He was one of the five or so greatest violinists of the century. Szeryng’s Bach is in a class by itself. Nobody has Szeryg’s unique combination of musical, intellectual and technical gifts that make him the perfect interpreter of the Bach solo repertiore: he has abundant strength, absolute control of the bow, perfect intonation, an uncanny sense for architecture and structure, the highest intelligence and analytic penetration, and a huge, organ-like tone. Beyond that, he loved this music more than any other. Playing Bach was always an intensely religious experience for Szeryng. That comes across in these recordings. They are not about an individual expressing his feelings or celebrating his subjectivity. They are about a great artist dedicating his entire being, talent and skills to the greater cause inherent in Bach’s music. The result is overwhelming: a spectacular celebration of Bach’s musical transcendence.
1월 27th, 2006
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Strauss Buy New: $11.98 |
This recording of Strauss’s Four Last Songs is superb – for the most part. This is a gem of a disc. The Four Last Songs are among the most beautiful things Strauss ever wrote, and Elizabeth Schwarzkopf gives a heartfelt and poignant rendition of these apopemtic lieder.
Elisabeth Schwarzkopf was one of those singers whom one either loves or hates. She was a “stylist,” who inflected every phrase, every note in her urge to communicate what she considered to be the meaning of the text. Others feel that the only thing she communicated was her own need to impress people with her ability to communicate, and I believe she often forgot the difference between art and artfulness. Be that as it may, she was an outstanding Strauss singer, and her performance of the Four Last Songs, in particular, is legendary.
1월 27th, 2006
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Wagner Buy New: $16.98 |
Karajan’s appearance with Jessye Norman and the Vienna Philharmonic at the 1987 Salzburg Festival produced one of the great Wagner discs of all time, capped by a seething, compelling, white hot realization of the “Liebestod.” Karajan knew he had something here, and listening to the performance is likely to leave you weak in the knees. As the account unfolds, everybody’s on the edge of their seat–Norman comes in just that way, not sure of what volume to give it, halting, momentarily unsteady; then she cuts everything loose. Her singing is agitated and emotional, practically orgasmic if one must characterize it accurately. But Karajan has the last word, and it is a minute and 12 seconds of the most rapturous playing imaginable, a meditation on the opera’s final word (“Lust”) and the whole meaning of Tristan und Isolde. This was the payoff for an entire career spent in pursuit of the refinement of orchestral sound. On the same CD, Karajan presides over perhaps the best Siegfried Idyll on record, a lovely, spacious reading full of gentleness and radiance. The piece is exquisitely played by the VPO–very much as they did for Karajan in those final years, communing with him as much as performing the music for us. –Ted Libbey
1월 27th, 2006
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Paganini Buy New: $10.99 |
This slam-bang, take-no-prisoners account of the Paganini Caprices is just the thing for a rainy day. Considered the last word in virtuoso violin technique when they were composed–and still quite a challenge today–these delightful miniatures each get played to the hilt by Perlman, reveling in their technical intricacies while also making the most of their lively charm and musicality. This is simply one of the best solo violin recordings available, and it belongs on any Perlman fan’s shortlist. –David Hurwitz
1월 27th, 2006
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Guero Buy New: $11.99 |
Now that Beck has effectively exorcised his personal demons with 2002’s hyperconfessional Sea Change, he can get back to the business of being a total fruit loop. We all know what that involves: videogame sound effects, random shouting in Spanish, and rhymes about popsicles and vegetable vans. And that’s just the second track. Guero is like every Beck album condensed into one, a no-holds-barred collision of two-turntables and a microphone with the added bonus of guitars, bossa-nova beats, Jack White, lyrics about spaceships, and dumptrucks full of ideas all fighting to be heard above the ruckus. It’s an exhausting and exhilarating listen with lots of peaks, such as the digitized power ballad “Broken Drum” and handclap-drenched folk freak-out “Farewell Ride,” and more than enough to restore anyone’s faith in Beck as one of the most chaotically inspired songwriters of our time. — Aidin Vaziri
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